Wednesday 3 September 2008

Download Butthole Surfers mp3






Butthole Surfers
   

Artist: Butthole Surfers: mp3 download


   Genre(s): 

Alternative
Indie
Rock: Pop-Rock
Rock
Pop: Pop-Rock
ROck: Alternative
Other

   







Discography:


Weird Revolution
   

 Weird Revolution

   Year: 2001   

Tracks: 12
After the Astronaut
   

 After the Astronaut

   Year: 1998   

Tracks: 17
Pepper
   

 Pepper

   Year: 1996   

Tracks: 4
Jingle Of A Dogs Collar
   

 Jingle Of A Dogs Collar

   Year: 1996   

Tracks: 3
Electriclarryland
   

 Electriclarryland

   Year: 1996   

Tracks: 13
The Hole Truth...and Nothing Butt
   

 The Hole Truth...and Nothing Butt

   Year: 1995   

Tracks: 17
Independent Worm Saloon
   

 Independent Worm Saloon

   Year: 1993   

Tracks: 17
Pioughd
   

 Pioughd

   Year: 1991   

Tracks: 13
The Hurdy Gurdy Man
   

 The Hurdy Gurdy Man

   Year: 1990   

Tracks: 3
Widowermaker! [EP]
   

 Widowermaker! [EP]

   Year: 1989   

Tracks: 4
Hairway To Steven
   

 Hairway To Steven

   Year: 1988   

Tracks: 8
Locust Abortion Technician
   

 Locust Abortion Technician

   Year: 1987   

Tracks: 11
Rembrandt Pussyhorse
   

 Rembrandt Pussyhorse

   Year: 1986   

Tracks: 9
Rembrandt Pussyhorse - Cream C
   

 Rembrandt Pussyhorse - Cream C

   Year: 1985   

Tracks: 5
Psychic, Powerless... Another Man's Sac
   

 Psychic, Powerless... Another Man's Sac

   Year: 1985   

Tracks: 11
Butthole Surfers-Live PCPPEP
   

 Butthole Surfers-Live PCPPEP

   Year: 1983   

Tracks: 7
Butthole Surfers
   

 Butthole Surfers

   Year: 1983   

Tracks: 7






Arguably the most infamously named band in the chronological record of pop music -- for age, wireless set up their sobriquet unutterable, and the press deemed it unprintable -- Butthole Surfers long reigned among the to the highest degree twisted and perverted acts ever to bubble up from the American underground. Masters of measured scandalisation, the mathematical radical consolidated the sicko antics of electric shock sway with a distinguishable and pell-mell gallimaufry of new wave, hard-core, and Texas psychedelia; sleazy, confrontational, and vindictive, songs fear "The Revenge of Anus Presley," "Bar-B-Q Pope," and "The Shah Sleeps in Lee Harvey Oswald's Grave" seemed destined to guarantee the Buttholes small more than a lifetime of cultdom. Yet, by the mid-'90s, they were left Top 40 hitmakers, success perchance their ultimate subversion of mainstream ideals.


The seeds of their formation dated back to 1977, when future frontman Gibby Haynes, the son of the Dallas-based children's TV host known as "Mr. Peppermint," met guitarist Paul Leary while attending college in San Antonio. Four old age later, Haynes -- then complementary his graduate work out in accounting -- and Leary formed the Ashtray Baby Heads, afterwards dubbed Nine Foot Worm Makes Home Food; they became Butthole Surfers only after a wireless announcer erroneously took the title of an former call to be the group's call. In 1981, they signed to Dead Kennedys frontman Jello Biafra's label Alternative Tentacles, and two eld later issued their hallucinatory eponymic debut, as well issued on colored vinyl under the name Brownness Reason to Live.


Afterwards a number of bassists and drummers, the Surfers' lineup fell into shoes in 1983 with the plus of drummers King Coffey (once of the Hugh Beaumont Experience) and Theresa Nervosa; at the like time, their freaky resilient gigs -- a traveling monstrosity show compounding nude person dancers, plastic film clips of sex change trading operations, and Haynes' pyromaniacal behavior -- began to bring home the bacon a devout cult following, and in 1984 they issued the concert set Live PCPPEP. A move to the Chicago-based indie Touch & Go precipitated a turn toward even greater thematic odiousness, as evidenced by tracks wish "Concubine" and "Lady Sniff" from 1985's Psychical...Powerless...Some other Man's Sac.


After the EP Cream Corn From the Socket of Davis, the Buttholes resurfaced in 1986 with Rembrandt van Rijn Pussyhorse, a misrepresented tripper into neo-psychedelia featuring a brutal deconstructionism of the Guess Who's "American English Woman," as advantageously as new bassist Jeff "Tooter" Pinkus. The introduction of Haynes' "Gibbytronix" vocal effects unit increased the level of dementia for 1987's Locust Abortion Technician, an extremist fusion of hoodlum, metal, artistry rock-and-roll, and worldbeat rhythms. Following 1988's faux-Zeppelin blah Hairway to Steven, the group issued Bivalent Live, a mock corn liquor released through their own Latino Bugger Veil imprint; afterwards a pair off of EPs, 1989's Widowermaker! and 1990's The Hurdy Gurdy Man, they remained uncharacteristically understood until 1991's uneven Pioughd, recorded for the Rough Trade pronounce.


For many observers, the biggest blow in a life history reinforced on hideous behaviour arrived in 1992, when the Buttholes sign with major label Capitol, which promptly reissued Pioughd following the death of Rough Trade. After incoming the studio with producer and early Led Zep bassist John Paul Jones, they emerged in 1993 with the LP Independent Worm Saloon; the first individual and telecasting, "WHO Was in My Room Last Night?," both garnered a surprising sum of airplay, much to the humiliation of the many media outlets which begrudgingly referred to the group as "BH Surfers." Following a series of side projects -- to the highest degree notoriously Haynes' group P, which as well featured motion picture star Johnny Depp -- the band (directly a trine consisting of Haynes, Leary, and Coffey) returned in 1996 with Electriclarryland, marking a major chart hit with the trip-hop-flavored "Peppercorn." In 1998, they recorded a reexamination, After the Astronaut, but disputes between the Surfers and Capitol prevented the album from existence released, though gain copies were sent to reviewers. Three long time later, Butthole Surfers emerged with their first for Hollywood/Surfdog Records, Weird Revolution, which recycled some of the songs from Afterwards the Astronaut, but in new recordings.